Fleetwood mac rumors cover balls

He's gracious with his rolling anecdotes and seems to enjoy telling them with humorous tonal inflections. Take, for example, the history of his wooden balls. I won't say they're as old as me. But—it starts getting into X-rated commentary here—my balls are quite old. Fleetwood confirms that the original pair were "lavatory chains.

Fleetwood Mac’s ‘Rumours’: 10 Things You Didn’t Know

As for what happened to those originals—the "juju" good luck charm he never performs specifically Fleetwood Mac shows without? The whole ethic of a lot of blues music is slightly suggestive, might I say. And suitably, I walked out on stage with these two lavatory chains with these wooden balls hanging down, and after that it just stuck.

Full Article on Mauitimes. Posted by Nickslive at Saturday, September 12, Labels: Fleetwood Mac , Mick Fleetwood. Following over two months in Sausalito, Fleetwood arranged a ten-day tour to give the band a break and fan feedback. Christine McVie and Nicks did not attend most of the sessions and took time off until they were needed to record any remaining vocals. The rest of Fleetwood Mac, with Caillat and Dashut, struggled to finalise the overdubbing and mixing of Rumours after the Sausalito tapes were damaged by repeated use during recording; the kick and snare drum audio tracks sounded "lifeless".

Through a pair of headphones which played the damaged tapes in his left ear and the safety master recordings in his right, he converged their respective speeds aided by the timings provided by the snare and hi-hat audio tracks. After the final mastering stage and hearing the songs back-to-back, the band members sensed they had recorded something "pretty powerful". Fleetwood Mac's main writers — Buckingham, Christine McVie and Nicks — worked individually on songs but sometimes shared lyrics with each other.

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All songs on Rumours concern personal, often troubled relationships. She noted that Buckingham helped her craft the verses because their personal sensibilities overlapped. Her own song "Gold Dust Woman" is inspired by Los Angeles and the hardship encountered in such a city. Featuring a soft rock and pop rock sound, [47] [48] Rumours is built around a mix of acoustic and electric instrumentation. The record often includes stressed drum sounds and distinctive percussion such as congas and maracas.

It opens with "Second Hand News", originally an acoustic demo titled "Strummer". After hearing Bee Gees ' " Jive Talkin' ", Buckingham and co-producer Dashut built up the song with four audio tracks of electric guitar and the use of chair percussion to evoke Celtic rock. The third track on Rumours , "Never Going Back Again", began as "Brushes", a simple acoustic guitar tune played by Buckingham, with snare rolls by Fleetwood using brushes ; the band added vocals and further instrumental audio tracks to make it more layered.

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In the latter instrument, nails are placed on the points where the hammers hit the strings, producing a more percussive sound. The album's pace slows down with "Songbird", conceived solely by Christine McVie using a nine-foot Steinway piano. Side two of Rumours begins with "The Chain", one of the record's most complicated compositions. A Christine McVie demo, "Keep Me There", [19] and a Nicks song were re-cut in the studio and were heavily edited to form parts of the track. The ninth track on Rumours , "I Don't Want to Know", makes use of a twelve string guitar and harmonising vocals.

The album ends with "Gold Dust Woman", a song inspired by free jazz , which has music from a harpsichord , a Fender Stratocaster guitar, and a dobro , an acoustic guitar whose sound is produced by one or more metal cones. Rumours has been acclaimed by music critics since its release.


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Robert Christgau , reviewing in The Village Voice , gave the album an "A" and described it as "more consistent and more eccentric" than its predecessor. He added that it "jumps right out of the speakers at you". Petersburg Times claimed the songs are "as grandly glossy as anything right now". In a retrospective review, AllMusic editor Stephen Thomas Erlewine gave Rumours five stars and noted that, regardless of the voyeuristic element, the record was "an unparalleled blockbuster" because of the music's quality; he concluded, "Each tune, each phrase regains its raw, immediate emotional power—which is why Rumours touched a nerve upon its release, and has since transcended its era to be one of the greatest, most compelling pop albums of all time.

Here is a radio-friendly record about anger, recrimination, and loss. Rumours was a huge commercial success and became Fleetwood Mac's second US number one record, following the eponymous release. By , 13 million copies of Rumours had been sold worldwide. Mick Fleetwood has called Rumours "the most important album we ever made", because its success allowed the group to continue recording for years to come.

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The record contained each song of the original Rumours covered by a different act influenced by it. Adapted from the album's credits and AllMusic. From Wikipedia, the free encyclopedia. This article is about the album by Fleetwood Mac. For the album by Arrogance, see Rumors album. For other uses, see Rumor disambiguation. Fleetwood Mac. Pop rock soft rock. The sessions were like a cocktail party every night—people everywhere.

We ended up staying in these weird hospital rooms The lyrics of "Don't Stop" are about having an optimistic outlook on life. Inspired by the triple step , the song contains music from both normal and prepared pianos. Buckingham Mick Fleetwood C. Buckingham Fleetwood C. McVie J. McVie Nicks. McVie Buckingham Fleetwood. McVie Buckingham Fleetwood Nicks. Worthington — photography.

Library of Congress. Retrieved 21 March Rolling Stone.

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Fleetwood Mac's "Rumors":what's with the album cover? - Straight Dope Message Board

Retrieved 9 December Archived from the original on 19 October Christgau's Record Guide: Rock Albums of the '70s. Ticknor and Fields. The Independent. Archived from the original on 29 January March Retrieved 14 July In Brackett, Nathan; Hoard, Christian eds.

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Recording Industry Association of America. Archived from the original on 26 June Retrieved 18 May Note: User search required. British Phonographic Industry. Archived from the original on 11 May Retrieved 23 April Records 25 February UK Albums Chart. Retrieved 6 May The Ledger. Retrieved 20 March